New York Times Report about Kristallnacht (Nov 11, 1938)
November 2, 2008
Nazis Smash, Loot and Burn Jewish Shops and Temples Until Goebbels Calls Halt*
New York Times
November 11, 1938 [1]
All Vienna’s Synagogues Attacked, Fires and Bombs Wreck 18 or 21
Jews Are Beaten, Furniture and Goods Flung From Homes and Shops – 15,000 Are Jailed During Day – 20 Are Suicides
Vienna, Nov. 10−In a surge of revenge for the murder of a German diplomat in Paris by a young Polish Jew, all Vienna’s twenty-one synagogues were attacked today and eighteen were wholly or partially destroyed by fires and bomb explosions.
Anti-Jewish activities under the direction of Storm Troopers and Nazi party members in uniform began early this morning. In the earlier stages Jews were attacked and beaten. Many Jews awaiting admittance to the British Consulate-General were arrested, and according to reliable reports others who stood in the line before the United States Consulate were severely beaten and also arrested.
Apartments were raided and searched and gradually some 15,000 arrested Jews were assembled at police stations. Some were released during the day. Tonight arrests were continuing.
Many of those arrested were sent to concentration camps in buses. Mobs of raiders penetrated Jewish residences and shops, flinging furniture and merchandise from windows and destroying wantonly.
In their panic and misery about fifty Jews, men and women, were reported to have attempted suicide-about twenty succeeded.
Scores of bombs were placed in synagogues, blowing out windows and in many cases damaging walls. Floors that had been soaked with kerosene readily caught fire…
At 9 A.M. the first fires broke out in the Hernaiser and Heitzinger synagogues. The Heitzinger synagogue, which was in Moorish style and was the largest and finest synagogue in Vienna, was gutted…
Excesses in Many Cities
Berlin papers also mention many cities and towns in which anti-Jewish excesses occurred, including Potsdam, Stettin, Frankfort on the Main, Leipzig, Lübeck, Cologne, Nuremberg, Essen, Dusseldorf, Konstanz, Landsberg, Kottbus and Eberswalde. In most of them, it is reported, synagogues were raided and burned and shops were demolished. But in general the press follows the system in reporting only local excesses so as to disguise the national extent of the outbreak, the full spread of which probably never will be known.
On the other hand, the German press already warns the world if the day’s events lead to another agitation campaign against Germany “the improvised and spontaneous outbreaks of today will be replaced with even more drastic authoritative action”. No doubt is left that the contemplated “authoritative actions” would have a retaliatory character.
Says the Angriff, Dr. Goebbel’s organ:
“For every suffering, every crime and every injury that this criminal [the Jewish community] inflicts on a German anywhere, every individual Jew will be held responsible. All Judah wants is war with us and it can have this war according to its own moral law: an eye for an eye and a tooth for a tooth”.
One of the first legal measures issued was an order by Heinrich Himmler, commander of all German police, forbidding Jews to possess any weapons whatever and imposing a penalty of twenty years confinement in a concentration camp upon every Jew found in possession of a weapon hereafter.
The dropping of all pretense in the outbreak is also illustrated by the fact that although shops and synagogues were wrecked or burned by so-called Rollkommandos, or wrecking crews, dressed in what the Nazis themselves call “Räuberzivil”, or “bandit mufti”, consisting of leather coats or raincoats over uniform boots or trousers, these squads often performed their work in the presence and under the protection of uniformed Nazis or police.
The wrecking work was thoroughly organized, sometimes proceeding under the direct orders of a controlling person in the street at whose command the wreckers ceased, line up and proceeded to another place…
Crowds Mostly Silent
Generally the crowds were silent and the majority seemed gravely disturbed by the proceedings. Only members of the wrecking squads shouted occasionally, “Perish Jewry!” and “Kill the Jews” and in one case a person in the crowd shouted, “Why not hang the owner in the window?”
In one case on the Kurfürstendamm actual violence was observed by an American girl who saw one Jew with his face bandaged dragged from a shop, beaten and chased by a crowd while a second Jew was dragged from the same shop by a single man who beat him as the crowd looked on.
One Jewish shopkeeper, arriving at his wrecked store, exclaimed, “Terrible”, and was arrested on the spot.
In some cases on the other hand crowds were observed making passages for Jews to leave their stores unmolested.
Some persons in the crowds-peculiarly enough, mostly women-expressed the view that it was only right that the Jews should suffer what the Germans suffered in 1918.
* Note how the headline makes it sound like the German government stopped the riot, when it actually started it.
Stumbling over the Holocaust
October 24, 2008
Stumbling over the Holocaust [1, 2]
By Jefferson Chase
The Boston Globe
On a brigth, cold afternoon in Berlin last month, some 100 people stood watching as sculptor Gunter Demnig dug up a bit of sidewalk in front of the elementary school at Admiralstrasse No. 14. Beside him was a 4-by-4-inch brass-plated cobblestone. Its inscription — “Here lived Willi Hopp, born 1899, died Nov. 17, 1944 in Auschwitz” — referred to an apartment house that once stood there.
The onlookers applauded as Demnig embedded the stone, its surface slightly raised from the pavement. Someone could come along and trip over it. And that’s precisely the idea.
Part of an innovative, if quixotic, effort to map out Nazi genocide by marking the homes of its victims, the tiny brass memorial at Admiralstrasse 14 is the latest addition to the more than 3,000 “Stumbling Stones” that Demnig has laid in cities and towns throughout Germany over the past decade. Demnig, who looks more like an explorer in his broad-brimmed leather hat than an artist or a historian, calls it “a decentralized monument to the past.”
Where the memorial stones are laid is determined not by governmental committees, but by history itself, as researched by Demnig, schoolchildren, or patrons. (The costs of the project, around $100 per installation, are paid by private sponsorship.) No distinctions are made between Jewish and other Holocaust victims: You can stumble equally well over the names of Sinti and Roma, Jehovah’s witnesses, political undesirables, the mentally ill, and homosexuals.
The effect on the viewer is all the more striking and personal for being accidental. Approximately 140,000 of the 566,000 Jews who lived in Germany in 1933 were killed. Staring down at the modest testimonial to a single human destiny, one can’t help but imagine a face to go with the name — or picture neighbors peeping from behind curtains as someone was taken away.
If genius is simplicity, then Demnig’s idea of unobtrusively fixing the Holocaust in Germany’s urban geography qualifies as a kind of genius — especially when one compares the Stumbling Stone project to the official, 27-million-euro Holocaust Memorial being built next to Berlin’s Brandenburg Gate. That monument, composed of 2,700 concrete slabs, has been a bone of bitter contention since it was first proposed in 1988. Organizers and politicians have fought over everything from whether a monument was needed at all to what form it should take to whether firms that profited from the Holocaust under Hitler should be allowed to participate in its construction. Residents of the city scorn the project, for the most part, and many object to its being dedicated only to Jewish victims, excluding other groups.
“You’d think with a Holocaust memorial,” noted the German-Jewish pundit Rafael Seligmann, with acid reference to the notorious sorting procedures at Auschwitz, “we’d at least try to avoid a selection.”
Demnig’s idea is free of identity politics. His own interest in Nazi crimes against humanity stems from the discovery that his father had fought as a Wehrmacht soldier for the fascists in the Spanish Civil War, and the Stumbling Stones originated in an earlier documentation of the deportation of Sinti and Roma from his native Cologne. Nevertheless, Demnig’s work has not been universally welcomed. While most cities now accept the project, Demnig has been sued by building owners, who claimed the miniature memorials lowered their property values, and resistance in small towns remains strong.
“In villages, everybody knows everybody,” says Demnig. “Some people remember what happened and don’t want it made public.” His first stones were laid in guerrilla fashion after local authorities refused to grant him the relevant permits.
Others have objected that the cobblestones, because they are made to be walked on, are disrespectful of the dead. But Demnig rejects the association with gravestones, pointing out that the locations of the stones are not gravesites and the individuals they name have no remains. Plus, the friction from the soles of people’s shoes actually polishes the brass, in effect honoring the dead.
Monolithic memorials often stumble over diverse public expectations — as illustrated most recently by the controversy over the World Trade Center memorial in New York. Memorials are expected not only to honor the dead, but to offer survivors a site for enacting their grief and to teach society about the horrors of the past. The Stumbling Stones manage to address all these needs, albeit in piecemeal fashion.
Demnig knows he won’t succeed in laying stones for all of the 6 million-plus victims of the Holocaust throughout Europe. Indeed, it would be a feat if he managed to commemorate even the German victims. Intentionally or not, Demnig has created the sort of “open” monument which postmodern theorists often posit and architects rarely achieve. The very nature of the project reminds us that history, like memory itself, is an ongoing process.